<p class="ql-block">李崇國(guó)（李沫池）教授的水墨寫意蝦作品，<b>盡顯傳統(tǒng)水墨之神韻與個(gè)人藝術(shù)巧思，</b>可從以下維度賞析：</p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">一、筆墨技法</b></p><p class="ql-block"><b>蝦身：</b></p><p class="ql-block">以淡墨渲染，通過(guò)墨色濃淡變化，<b style="color:rgb(237, 35, 8);"><u>精準(zhǔn)呈現(xiàn)蝦身的透明質(zhì)感與體態(tài)起伏</u></b>，<b><u>寥寥數(shù)筆，便將蝦的形態(tài)勾勒得鮮活靈動(dòng)，體現(xiàn)“以形寫神”的水墨精髓 。</u></b></p><p class="ql-block"><b>蝦須、蝦鉗：</b></p><p class="ql-block">以濃墨、焦墨繪之，線條勁挺且富有彈性，或長(zhǎng)或短、或曲或直，看似隨意卻暗藏章法，勾勒出蝦的靈動(dòng)姿態(tài)，<b><u>彰顯書(shū)法用筆的力度與韻律，實(shí)現(xiàn)“書(shū)畫(huà)同源”的藝術(shù)融合。</u></b></p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">二、造型與神韻</b></p><p class="ql-block"><b>造型：</b></p><p class="ql-block">對(duì)蝦的結(jié)構(gòu)把握精準(zhǔn)，蝦的頭、胸、腹比例協(xié)調(diào)，蝦足、蝦須分布自然，既符合生物形態(tài)，又因藝術(shù)提煉而更具美感，擺脫自然主義的瑣碎，凸顯寫意畫(huà)“似與不似之間”的獨(dú)特魅力 。</p><p class="ql-block"><b>神韻：</b></p><p class="ql-block">通過(guò)筆墨傳遞出蝦的活潑、靈動(dòng)之態(tài)，仿佛能看到蝦在水中暢游、浮游的動(dòng)態(tài)，賦予靜態(tài)畫(huà)面以生命活力，達(dá)到“氣韻生動(dòng)”的藝術(shù)境界，展現(xiàn)畫(huà)家對(duì)蝦的觀察入微與藝術(shù)再創(chuàng)造能力 。</p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">三、布局與意境營(yíng)造</b></p><p class="ql-block"><b>布局：</b></p><p class="ql-block">單幅作品中，蝦的疏密、錯(cuò)落有致，避免呆板；長(zhǎng)幅如《九龍圖》，多蝦組合時(shí)，通過(guò)蝦的不同姿態(tài)、朝向，構(gòu)建出富有節(jié)奏感與層次感的畫(huà)面秩序，讓觀者視線有游走空間 。</p><p class="ql-block"><b>意境：</b></p><p class="ql-block">水墨的黑白灰交織，營(yíng)造出清逸、空靈的意境，契合中國(guó)傳統(tǒng)美學(xué)中“虛靜”“淡遠(yuǎn)”的審美追求，使作品脫離單純的物象描繪，上升到精神層面的表達(dá)，引發(fā)觀者對(duì)自然、生命的聯(lián)想與感悟 。</p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">四、個(gè)人風(fēng)格與傳承創(chuàng)新</b></p><p class="ql-block"><b>傳承：</b></p><p class="ql-block">汲取齊白石畫(huà)蝦的經(jīng)典技法與意趣，繼承中國(guó)寫意花鳥(niǎo)畫(huà)的傳統(tǒng)文脈，堅(jiān)守水墨藝術(shù)的核心審美 。</p><p class="ql-block"><b style="font-size:20px; color:rgb(22, 126, 251);"><u>創(chuàng)新：</u></b></p><p class="ql-block">在筆墨運(yùn)用、<b style="color:rgb(22, 126, 251);"><u>蝦的造型細(xì)節(jié)及畫(huà)面布局上，融入個(gè)人理解與實(shí)踐，形成獨(dú)特的藝術(shù)語(yǔ)言，既保有傳統(tǒng)水墨的韻味，又展現(xiàn)當(dāng)代藝術(shù)家的創(chuàng)新探索，為水墨蝦題材創(chuàng)作注入新活力 。</u></b></p><p class="ql-block"><br></p><p class="ql-block">這些作品<b style="color:rgb(22, 126, 251);"><u>不僅是對(duì)蝦這一題材的精彩演繹，更是李崇國(guó)（李沫池）教授在水墨藝術(shù)領(lǐng)域傳承與創(chuàng)新的生動(dòng)體現(xiàn)，傳遞著中國(guó)傳統(tǒng)藝術(shù)的深邃魅力與當(dāng)代藝術(shù)創(chuàng)作者的思考。 </u></b>當(dāng)然，藝術(shù)賞析見(jiàn)仁見(jiàn)智，不同觀者可從作品中品味出專屬的審美體驗(yàn)與感悟 。</p> <p class="ql-block">Professor Li Chongguo (Li Mochi)’s ink-wash freehand shrimp works fully demonstrate the charm of traditional ink wash and the artist’s personal ingenuity. They can be appreciated from the following dimensions:</p><p class="ql-block"> </p><p class="ql-block">I. Brush and Ink Techniques</p><p class="ql-block"> </p><p class="ql-block">- Shrimp Bodies: Light ink is used for rendering. Through the variation of ink shades, the transparent texture and undulating forms of the shrimp bodies are accurately presented. With just a few strokes, the shapes of the shrimp are vividly outlined, embodying the essence of ink-wash painting of “depicting the spirit through form”.</p><p class="ql-block">- Shrimp Whiskers and Pincers: Drawn with thick ink or burnt ink, the lines are strong and elastic, either long or short, curved or straight. Seemingly random, they actually follow implicit rules, depicting the agile postures of the shrimp. They demonstrate the force and rhythm of calligraphic brushwork, achieving the artistic integration of “the origin of calligraphy and painting”.</p><p class="ql-block"> </p><p class="ql-block">II. Modeling and Spirit Conveyance</p><p class="ql-block"> </p><p class="ql-block">- Modeling: The structure of the shrimp is accurately grasped. The proportions of the shrimp’s head, chest, and abdomen are coordinated, and the distribution of shrimp legs and whiskers is natural. It conforms to the biological form while being more aesthetically pleasing due to artistic refinement, getting rid of the triviality of naturalism and highlighting the unique charm of freehand painting of “being between likeness and unlikeness”.</p><p class="ql-block">- Spirit Conveyance: Through brush and ink, the lively and agile manner of the shrimp is conveyed. It seems as if one can see the shrimp swimming and floating in the water, endowing the static picture with vital energy and reaching the artistic realm of “vivid rhythm”. It shows the painter’s meticulous observation of shrimp and the ability of artistic recreation.</p><p class="ql-block"> </p><p class="ql-block">III. Composition and Artistic Conception Creation</p><p class="ql-block"> </p><p class="ql-block">- Composition: In single paintings, the shrimp are arranged with appropriate density and錯(cuò)落 (scattered order), avoiding dullness. In long scrolls like Nine Dragons Picture, when multiple shrimp are combined, through their different postures and directions, a pictorial order full of rhythm and hierarchy is constructed, allowing the viewer’s eyes to have room to wander.</p><p class="ql-block">- Artistic Conception: The interweaving of black, white, and gray in ink wash creates a serene and ethereal artistic conception, conforming to the aesthetic pursuits of “tranquility” and “delicacy” in traditional Chinese aesthetics. It makes the works go beyond simple depiction of objects and rise to spiritual expression, triggering the viewer’s associations and reflections on nature and life.</p><p class="ql-block"> </p><p class="ql-block">IV. Personal Style, Inheritance, and Innovation</p><p class="ql-block"> </p><p class="ql-block">- Inheritance: Drawing on the classic techniques and artistic conception of Qi Baishi’s shrimp paintings, inheriting the traditional context of Chinese freehand flower-and-bird painting, and adhering to the core aesthetics of ink-wash art.</p><p class="ql-block">- Innovation: Integrating personal understanding and practice in brush and ink application, details of shrimp modeling, and pictorial composition, forming a unique artistic language. It not only retains the charm of traditional ink wash but also shows the innovative exploration of contemporary artists, injecting new vitality into the creation of ink-wash shrimp-themed works.</p><p class="ql-block"> </p><p class="ql-block">These works are not only wonderful interpretations of the shrimp theme but also vivid manifestations of Professor Li Chongguo (Li Mochi)’s inheritance and innovation in the field of ink-wash art, conveying the profound charm of traditional Chinese art and the reflections of contemporary art creators. Of course, art appreciation is subjective, and different viewers can savor their exclusive aesthetic experiences and insights from the works.</p> <p class="ql-block"><b style="font-size:22px; color:rgb(237, 35, 8);">李崇國(guó)（李沫池）簡(jiǎn)介</b></p><p class="ql-block">三六三醫(yī)院副主任醫(yī)師、副教授。</p><p class="ql-block"><b><u>醫(yī)生、腫瘤放療科普作家、畫(huà)家。</u></b></p><p class="ql-block">美篇科普號(hào)“<b>放療醫(yī)生李崇國(guó)</b>”閱讀量達(dá)到<b>316</b>萬(wàn)，發(fā)表<b>醫(yī)學(xué)科普和人文文章1285</b>篇，粉絲1.3萬(wàn)（截至2025年6月）。</p><p class="ql-block"><b><u>三六三醫(yī)院武侯院區(qū)地址：四川省成都市武侯區(qū)倒桑樹(shù)街108號(hào)</u></b></p><p class="ql-block">咨詢電話：135 5135 9290</p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">一、學(xué)術(shù)任職</b></p><p class="ql-block"> 西部放射治療協(xié)會(huì) 理事 </p><p class="ql-block"> 中國(guó)老年保健協(xié)會(huì)腫瘤多學(xué)科診療分會(huì)常委 </p><p class="ql-block"> 中國(guó)肺癌防治聯(lián)盟肺癌立體定向放射治療委員會(huì) 委員 </p><p class="ql-block"> 四川省抗癌協(xié)會(huì)腫瘤放射治療專委會(huì) 常委 </p><p class="ql-block"> 西部放射治療協(xié)會(huì)放射外科專委會(huì)委員 </p><p class="ql-block"> 四川省抗癌協(xié)會(huì)鼻咽癌專委會(huì)委員 </p><p class="ql-block"> 四川省抗癌協(xié)會(huì)?？聘呒?jí)會(huì)員 </p><p class="ql-block"> 四川省腫瘤學(xué)會(huì)口腔頭頸專委會(huì)委員 </p><p class="ql-block"> 通用醫(yī)療腫瘤專委會(huì)委員 </p><p class="ql-block"> 四川省科技廳項(xiàng)目評(píng)審專家 </p><p class="ql-block"> 成都市醫(yī)療事故技術(shù)鑒定專家 </p><p class="ql-block"> 成都市高新區(qū)人文學(xué)組副組長(zhǎng) </p><p class="ql-block"> “腫瘤信息”“伽瑪?shù)丁惫娞?hào)特約撰稿人 </p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">二、專業(yè)擅長(zhǎng)</b></p><p class="ql-block"> 對(duì)<b><u>圖像引導(dǎo)體部伽瑪?shù)队猩钊胙芯?lt;/u></b>，專注以下腫瘤： </p><p class="ql-block"> 1.<b style="color:rgb(22, 126, 251);"><u>肺癌、肝癌、胰腺癌、腎及腎上腺惡性腫瘤、骨腫瘤（原發(fā)/轉(zhuǎn)移）、縱隔腫瘤、靜脈系統(tǒng)癌栓（上/下腔靜脈、門靜脈等）、頭頸部轉(zhuǎn)移瘤、橫紋肌肉瘤、肝血管瘤、脊索瘤</u></b>等的<b>圖像引導(dǎo)體部伽瑪?shù)吨委煛? </b></p><p class="ql-block"><b>2. 其他腫瘤診治</b></p><p class="ql-block"> <b>直腸癌、食管癌、乳腺癌、宮頸癌、腦轉(zhuǎn)移瘤、腦膠質(zhì)瘤</b>的<b>放療及綜合治療</b>。 </p><p class="ql-block"> <b style="color:rgb(22, 126, 251);">肺結(jié)節(jié)</b><b>診斷與治療</b>。 </p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">三、科普工作（平臺(tái)與影響力）</b></p><p class="ql-block"> 美篇號(hào)“<b>放療醫(yī)生李崇國(guó)</b>”閱讀量超過(guò)<b>316</b>萬(wàn)，發(fā)表<b>醫(yī)學(xué)科普和人文文章1285</b>篇，粉絲1.3萬(wàn)（截至2025年6月）。</p><p class="ql-block"> 在<b>“西部放射治療協(xié)會(huì)”、“通用醫(yī)療三六三醫(yī)院”、“腫瘤信息”、“放療圈”、“放療前沿”</b>等十余個(gè)微信公眾號(hào)發(fā)表腫瘤科普文章及放療指南解讀課件。 </p><p class="ql-block"> 目前，<b>“西部放射治療協(xié)會(huì)”</b>公眾號(hào)發(fā)表<b>《放射治療：腫瘤治療利器》</b>系列科普文章<b style="color:rgb(237, 35, 8);">23篇</b>， 其中<b style="color:rgb(237, 35, 8);">6篇</b>被<b>西部放射治療協(xié)會(huì)</b>推薦至<b>“天府科技云”</b>及<b>四川省科協(xié)官網(wǎng)</b>。 </p><p class="ql-block"><b style="font-size:20px; color:rgb(237, 35, 8);">四、媒體與榮譽(yù)</b></p><p class="ql-block"> 多次接受<b>《四川日?qǐng)?bào)》《成都日?qǐng)?bào)》《成都商報(bào)》《家庭生活報(bào)》《大眾健康報(bào)》《封面新聞》</b>等多家媒體專訪。 </p><p class="ql-block"> 2022年入選<b>《家庭與生活報(bào)》</b>新年特刊“<b>十大面孔呈現(xiàn)</b>”。 </p><p class="ql-block"> OUR全國(guó)臨床培訓(xùn)基地<b>“金牌講師”</b>。 </p><p class="ql-block"><b style="color:rgb(237, 35, 8); font-size:20px;">五、著作與論文</b></p><p class="ql-block"> 參編<b>《實(shí)用脊柱腫瘤學(xué)》《現(xiàn)代臨床內(nèi)科》《共生：與腫瘤相伴》（副主編）《伽瑪?shù)吨委熓謨?cè)》</b>。 </p><p class="ql-block"> 參與編寫<b style="color:rgb(22, 126, 251);">《頭部伽瑪?shù)吨委煼蜗侔┠X轉(zhuǎn)移瘤專家共識(shí)》</b>、<b style="color:rgb(255, 138, 0);">《放射外科治療后放射性腦損傷診斷、預(yù)防與治療的中國(guó)專家共識(shí)》</b>。 </p><p class="ql-block"> 發(fā)表論文20余篇，其中《The Application Research of Optical Flow Method in Target Volume Motion Image Registration》被IEEE iCBBE2010收錄（EI/ISTP索引）。 </p><p class="ql-block"><b style="color:rgb(237, 35, 8); font-size:20px;">六、學(xué)術(shù)會(huì)議報(bào)告（重要演講）</b></p><p class="ql-block"><b> 2021年第三屆伽瑪?shù)秾W(xué)術(shù)年會(huì)：《肝癌在圖像引導(dǎo)下的體部伽瑪?shù)吨委煛穼W(xué)術(shù)報(bào)告。 </b></p><p class="ql-block"> 2024年第四屆全國(guó)伽瑪?shù)秾W(xué)術(shù)年會(huì)：作為<b>籌備組成員、評(píng)委</b>，作<b>《圖像引導(dǎo)體部伽瑪?shù)杜R床應(yīng)用》學(xué)術(shù)報(bào)告</b>。 </p><p class="ql-block"> 在“2025年伽瑪射束立體定向放療學(xué)術(shù)年會(huì)暨伽瑪?shù)斗派渫饪浦委煒?biāo)準(zhǔn)建設(shè)與規(guī)范化診療研討會(huì)”，被聘為<b>“2025第二屆全國(guó)伽瑪射束立體定向放射治療案例演講競(jìng)賽”評(píng)委</b>以及學(xué)術(shù)會(huì)議<b>主持人</b>，參加圓桌會(huì)議。</p><p class="ql-block"> 2024年西部放射腫瘤學(xué)大會(huì)：<b>《多模態(tài)圖像引導(dǎo)體部伽瑪?shù)兜膭┝繉W(xué)特征及臨床實(shí)踐》</b>。 </p><p class="ql-block"> 2024年中國(guó)醫(yī)師協(xié)會(huì)肝癌年會(huì)：<b>參與《肝癌立體定向放射治療專家共識(shí)（初稿）》討論和《原發(fā)性肝癌診療指南（2024年版）外放療部分的解讀》討論</b>。 </p><p class="ql-block"><b style="font-size:20px;">七、科研項(xiàng)目（ 國(guó)家級(jí)課題）</b></p><p class="ql-block"> 參與國(guó)家重點(diǎn)研發(fā)計(jì)劃《常見(jiàn)腫瘤精準(zhǔn)診療國(guó)產(chǎn)設(shè)備示范應(yīng)用模式研究》。 </p><p class="ql-block"> 國(guó)家“十三五”項(xiàng)目《體部伽瑪?shù)吨委熢l(fā)性肝癌的療效評(píng)價(jià)研究》及“自適應(yīng)治療計(jì)劃系統(tǒng)研發(fā)”課題專家。 </p><p class="ql-block"><b style="color:rgb(237, 35, 8); font-size:20px;">八、書(shū)畫(huà)成就</b></p><p class="ql-block">1. 藝術(shù)活動(dòng)</p><p class="ql-block"> 書(shū)畫(huà)作品參加全國(guó)性大賽并獲獎(jiǎng)，入編20余部書(shū)畫(huà)集，發(fā)表于<b>中央電視臺(tái)書(shū)畫(huà)頻道、《中國(guó)書(shū)畫(huà)報(bào)》、《中國(guó)網(wǎng)》</b>等<b style="color:rgb(237, 35, 8);">400</b>余家媒體。 </p><p class="ql-block"> 書(shū)畫(huà)作品已經(jīng)<b>十八次</b>被<b style="color:rgb(237, 35, 8); font-size:20px;">國(guó)家郵政部門制成郵幣卡發(fā)行</b>；作品被<b>海內(nèi)外收藏</b>。 </p><p class="ql-block">2. 公益捐贈(zèng)</p><p class="ql-block"> 2020年捐贈(zèng)價(jià)值<b>30萬(wàn)元</b>書(shū)畫(huà)作品，支援援鄂醫(yī)療隊(duì)隊(duì)員。 </p><p class="ql-block"> 書(shū)畫(huà)作品被西部放射治療協(xié)會(huì)選為放療界泰斗殷蔚伯教授九十大壽壽禮。</p> <p class="ql-block"><b>接受《家庭與生活報(bào)》“劍哥論健”欄目采訪視頻</b></p> <p class="ql-block"><b>擔(dān)任2024年第四屆全國(guó)伽瑪?shù)秾W(xué)術(shù)年會(huì)病例演講競(jìng)賽頒獎(jiǎng)主持人</b></p> <p class="ql-block"><b>作品被西部放射治療協(xié)會(huì)選為壽禮贈(zèng)送給放療界泰斗殷蔚伯教授</b></p>
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