<p class="ql-block">為迎接即將到來的“文化和自然遺產日”，華僑博物院邀請印尼華人歷史文化學者、印尼文登華人歷史博物館和林氏遺產博物館創辦人林振鵬先生，為公眾介紹印尼土生華人文化遺產的保護和傳承情況。</p> <p class="ql-block">講座題目</p><p class="ql-block">印尼群島的中國移民軌跡與跨文化融合——伊斯蘭文化與中華文化的雙向互動</p><p class="ql-block">講座時間：2025年6月10日上午9：30</p> <p class="ql-block">林振鵬先生居偏僻山村，只讀了華文學校一年級，所以全程用英格力士講話，偶爾夾幾句閩南話，如“公祖”“中秋餅”。</p><p class="ql-block" style="text-align:center;">左為翻譯施雪琴女士</p> <p class="ql-block">印尼文登華人歷史博物館館長林振鵬，是印尼土生華人，祖籍漳州市臺商投資區角美鎮鴻漸村崎巷社。</p><p class="ql-block">林振鵬是“印尼文登華人歷史博物館”與“林氏遺產博物館”的創辦人，多年來致力于整理印尼華裔族群的歷史。他習慣隨身攜帶相機，在印尼街頭、墓園、牌坊、老宅門楣上尋找文化印記，這次來福建，裝備中還多了一臺中國制造的微型攝像機。他一邊拍攝，一邊向記者介紹：“這些照片、影像、資料，都會放進博物館里。”</p> <p class="ql-block">遷徏海外</p> <p class="ql-block">福建遷徏海外</p> <p class="ql-block">廣東與福建</p> <p class="ql-block">華裔分布圖，這次最震憾的見到“云南客”。</p> <p class="ql-block">阿拉伯人來廣州</p> <p class="ql-block">阿拉伯人來泉州</p> <p class="ql-block">大明王朝下西洋</p> <p class="ql-block">one temple, two religions living in harmony for over a thousand years </p><p class="ql-block">一座廟，兩種宗教和諧相處了一千多年</p> <p class="ql-block">現代云南客</p> <p class="ql-block">現代泉州</p> <p class="ql-block">中秋餅</p> <p class="ql-block">Martaban </p><p class="ql-block">Among the many kinds of Chinese ceramics that were exported is a variety of unrefined, stoneware storage jars. These ovoid jars are sometimes called "Martaban" wares after the transit port of Marta ban in Burma, a common stop in the trade route travelled by the ships carrying this pottery. These robust jars have bold, incised or relief decoration under different kinds of glazes, principally olive green, golden brown, brown, or almost black. Loop handles or pierced masks, through which a rope could be passed to secure a cover, are generally placed around the shoulder. "Martaban" jars can be quite large, sometimes reaching up to three feet in height. This enigmatic group cannot be given a single place of origin. In general, it is agreed that these jars came from various kilns in southern China, and one source has been located at Qishicun, near Foshan, in Guangdong Province. It is most difficult to date them:some authorities believe that "Martaban" wares originated as early as the Tang dynasty; other experts think that they started to be made during the Song period. At least two of the fragments that were found at the Qishicun kilns carried the reign marks of Northern Song-dynasty emperors. </p><p class="ql-block">Martaban jars have been mentioned by travelers as early as the fourteenth century. Many of them can probably be dated to the Ming era-they were found in the load of the Witte Leeuw and they have continued to be manufactured until recent times. Natives of the Philippines have treasured these wares; and in Borneo, the Dayaks ad other peoples have sometimes given jars names and even credited them with powers of speech and movement. </p><p class="ql-block">It should be noted that in the Near East the term "Martaban" is applied to large Yuan and Ming celadon jars and dishes rather than to the traditional large storage jars that usually goes under this name. </p> <p class="ql-block">林老師回復提問</p> <p class="ql-block">這位披頭巾的米路，除比較黑外，那嘴巴和閩南米路無異——齙齒。</p> <p class="ql-block">鏈接：</p><p class="ql-block"><a href="http://www.xsjgww.com/5dvecedk" target="_blank">廈門記——分別63年師生喜重逢</a></p><p class="ql-block"><a href="http://www.xsjgww.com/5dui7cf8" target="_blank">廈門記——東坪山漫步</a></p><p class="ql-block"><a href="http://www.xsjgww.com/5drwhdko" target="_blank">“客”從何來</a></p><p class="ql-block"><a href="http://www.xsjgww.com/5dqza8x6" target="_blank">從《故大唐故揚州揚子縣令崔府君墓誌銘并序》看漳州</a></p>
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