天垂象派，李剛·藝禪的藝術哲學與東方美學的當代重構

AAbc原創 / 中國藝術&線上國際

Contemporary Reconstruction of Li Gang's Philosophy of Art and Oriental Aesthetics 伏羲八卦／藝禪彩繪作品／太極材質／布上丙烯尺寸／1.50X1.50? 在當代藝術多元融合的浪潮中，中國藝術家李剛·藝禪以其獨特的“天垂象派”藝術學說，構建了一條貫通傳統哲學與當代精神的視覺通道。這一學說的核心，既根植于《周易》的宇宙觀與佛教禪宗的覺性智慧，又通過對甲骨文、伏羲八卦等文化符號的創造性轉化，為東方藝術在全球化語境下的價值重構提供了嶄新的理論范式。 In the wave of diverse integration in contemporary art, Chinese artist Li Gang · Yi Chan has constructed a visual channel that connects traditional philosophy with contemporary spirit through his unique "Tian Chu Xiang School" art theory. The core of this theory is rooted not only in the cosmology of the Book of Changes and the wisdom of Zen Buddhism, but also in the creative transformation of cultural symbols such as oracle bone inscriptions and the Eight Trigrams of Fuxi, providing a new theoretical paradigm for the value reconstruction of Eastern art in the context of globalization. 伏羲八卦／藝禪畫符作品／乾卦（天）材質／布上丙烯尺寸／1.50X1.50? 一、天垂象：從《周易》到覺性美學的理論基石“天垂象”一詞源自《周易·系辭》中“天垂象，見吉兇”的哲學命題，李剛·藝禪將其演繹為藝術創作的本體論框架。在他的理論體系中，那道貫穿姓氏繪畫的“靈光”，既是對《周易》“觀物取象”思維的視覺轉譯，也是佛教“空性”哲學的具象化呈現。藝術家將甲骨文字的結構解構為陰陽兩極的碰撞場域，當象征天道的“光”穿透姓氏符號的間隙時，瞬間的筆觸便成為連接有限與無限、現象與本體的時空隧道。 In his theoretical system, the "spiritual light" that runs through the painting of surnames is not only a visual translation of the thinking of "observing things and taking images" in the Book of Changes, but also a concrete presentation of the Buddhist philosophy of "emptiness". The artist deconstructs the structure of oracle bone inscriptions into a collision field of yin and yang. When the "light" symbolizing the Way of Heaven penetrates the gaps between surname symbols, the momentary strokes become a space-time tunnel connecting finite and infinite, phenomena and essence. 伏羲八卦／藝禪畫符作品／坎卦（水）材質／布上丙烯尺寸／1.50X1.50? 這種創作理念在“伏羲卦象/藝禪彩繪”系列中達到極致。乾卦的金色光暈與坎卦的流動水紋，通過潑彩技法的層疊滲透，使八卦符號超越占卜工具的傳統屬性，轉化為充滿能量張力的當代視覺語言。正如《道德經》所言“大制不割”，李剛的藝術實踐證明：最古老的東方符號系統，恰恰能通過本體論層面的解構與重組，激發出最先鋒的審美體驗。 Li Gang's artistic practice proves that the oldest Eastern symbol system can precisely stimulate the most avant-garde aesthetic experience through ontological deconstruction and reorganization. 吉祥文化／藝禪畫符作品／心向光明材質／布上丙烯尺寸／1.20X1.90? 二、吉祥百家姓：文字考古學的當代轉譯在“吉祥百家姓”創作中，李剛·藝禪完成了一次文化基因的創造性解碼。他將甲骨文字形中的祭祀圖騰、器物紋樣進行拓撲學重構，使每個姓氏都成為承載集體記憶的能量場域。作品中那道標志性的“通天之光”，既是書法線條的物性延伸，也是《壇經》“直指人心”的視覺隱喻——當觀者的視線沿著光路溯游時，姓氏符號的能指邊界逐漸消融，最終指向“山河大地是如來”的禪悟境界。 2、 Lucky Hundred Family Surnames: Contemporary Translation of Textual ArchaeologyIn the creation of "Lucky Hundred Family Surnames", Li Gang Yi Chan completed a creative decoding of cultural genes. He reconstructed the sacrificial totems and artifact patterns in the oracle bone inscriptions using topology, making each surname an energy field that carries collective memory. The iconic "Heavenly Light" in the work is not only an extension of the physical properties of calligraphy lines, but also a visual metaphor of "pointing directly to the human heart" in the "Tantra Sutra" - as the viewer's gaze travels along the path of light, the signifier boundary of the surname symbol gradually dissolves, ultimately pointing to the meditative realm of "mountains, rivers, and the earth are Tathagata". 吉祥文字／藝禪畫符作品／山河大地是如來材質／布上丙烯尺寸／1.50X1.90? 這種創作方法論顛覆了文字書寫的傳統范式：甲骨文的刻痕不再是歷史化石，而是成為連通古今的時空蟲洞；水墨的濃淡不再局限于形式美感，而是轉化為“致中和”的哲學表達。通過將文字學考據轉化為能量流動的視覺敘事，李剛實現了從“字象”到“心象”的美學躍遷。 This creative methodology subverts the traditional paradigm of written language: the marks on oracle bone inscriptions are no longer historical fossils, but have become wormholes that connect ancient and modern times; The intensity of ink painting is no longer limited to formal beauty, but is transformed into a philosophical expression of "achieving harmony". By transforming textual research into visual narratives of energy flow, Li Gang achieved an aesthetic leap from "character imagery" to "heart imagery". 吉祥文字／藝禪畫符作品／致中和材質／布上丙烯不銹鋼尺寸／3.00X1.50? 三、跨文化語境下的符號革命“天垂象派”的理論構建，本質上是對東方藝術現代性命題的回應。在裝置作品《一個中》里，懸浮的甲骨文碎片在激光投影中重組為動態星圖，這種對“天人合一”觀念的賽博格式詮釋，揭示出傳統哲學與數字美學的深層共鳴。當水墨氤氳遇見參數化設計，當禪宗公案邂逅現象學直觀，李剛的藝術實驗證明了：中國文化的核心基因具有超越媒介局限的永恒生命力。 3、 Symbolic Revolution in Cross Cultural ContextThe theoretical construction of the "Tian Chui Xiang School" is essentially a response to the proposition of modernity in Eastern art. In the installation work 'One China', suspended oracle bone fragments are reconstructed into a dynamic star map through laser projection. This cyber format interpretation of the concept of 'unity of heaven and man' reveals a deep resonance between traditional philosophy and digital aesthetics. When ink painting meets parametric design, when Zen Buddhism meets phenomenological intuition, Li Gang's artistic experiments prove that the core genes of Chinese culture have eternal vitality that transcends media limitations. 吉祥文字／藝禪畫符作品／一個中材質／布上丙烯尺寸／1.20X1.90? 太陽系列／藝禪畫符作品／正大光明材質／布上丙烯尺寸／1.50X1.50? 該學派在國際藝壇引發的關注，正源于其構建的“超文化符號系統”。在威尼斯雙年展展出的《心向光明》系列中，甲骨文筆觸與光效應藝術的交融，使東方玄學思維與西方視幻藝術產生了量子糾纏般的化學反應。這種既保持文化主體性又具備普世對話能力的創作路徑，或許正是中國藝術走向本體論自信的關鍵。 The attention that this school has attracted in the international art world stems from the "cross-cultural symbol system" it has constructed. In the "Heart Towards Light" series exhibited at the Venice Biennale, the fusion of oracle bone script strokes and light effect art creates a quantum entanglement like chemical reaction between Eastern mystical thinking and Western visual illusion art. This creative path that maintains cultural subjectivity while possessing universal dialogue ability may be the key to the ontological confidence of Chinese art. 吉祥百家／藝禪畫符作品／趙氏材質／布上丙烯尺寸／0.50X0.60? 吉祥百家／藝禪畫符作品／李氏材質／布上丙烯尺寸／0.50X0.60? 結語：本體之光與未來之維李剛·藝禪的“天垂象派”，以其對東方哲學的精微體察和對當代語境的敏銳把握，重構了傳統藝術的表達維度。那道貫穿作品的“靈光”，既是藝術家擊穿文化隔閡的審美利刃，也是引導觀者回歸本體的覺性之橋。在文明對話日益深化的今天，這種將《周易》的宇宙模型、禪宗的頓悟智慧與當代視覺語法熔鑄一體的藝術探索，不僅為“中國學派”的理論建設提供了范本，更預示著東方美學在未來藝術史書寫中的全新可能。 Conclusion: The Light of Being and the Dimension of the FutureLi Gang Yi Chan's "Tian Chui Xiang School" reconstructed the expression dimension of traditional art with his subtle observation of Eastern philosophy and keen grasp of contemporary context. The 'spiritual light' that runs through the work is not only an aesthetic blade for the artist to break through cultural barriers, but also a bridge of awareness to guide the viewer back to the essence. In today's increasingly deepening dialogue among civilizations, this artistic exploration that integrates the cosmic model of the Book of Changes, the enlightenment wisdom of Zen Buddhism, and contemporary visual grammar not only provides a model for the theoretical construction of the "Chinese School", but also heralds a new possibility for Eastern aesthetics in future art history writing. 吉祥文字／藝禪畫符作品／天人合一材質／布上丙烯尺寸／1.50X1.90? 當我們在李剛的作品前凝視那道“通天之光”時，或許能真正理解石濤“一畫論”的當代回響——每個筆觸都是創世紀的原點，每道光芒都是文明重生的火種。這或許就是“天垂象派”留給這個時代最珍貴的啟示：真正的藝術創新，永遠是對文化本體的創造性回歸。 When we gaze at the "Heavenly Light" in front of Li Gang's works, perhaps we can truly understand the contemporary echo of Shi Tao's "One Painting Theory" - every stroke is the origin of creation, and every ray of light is the spark of civilization's rebirth. This may be the most precious inspiration left by the 'Tianchuixiang School' for this era: true artistic innovation is always a creative return to the cultural essence. 吉祥文化／藝禪畫符作品／砥礪前行材質／布上丙烯尺寸／3.00X1.50? 伏羲八卦/藝禪畫符（視頻） ? 吉祥文化/藝禪畫符（視頻）? ????????????李剛·藝禪／雕塑家畫家書法家（生于新疆）原籍貫江蘇省徐州市1985年在中央美術學院油畫系學習1993在中央美術學院雕塑系助教研修班學習1995年在中央美術學院城市雕塑高級研修班學習（俄羅斯列賓美術學院庫巴索夫主講）曾經任教新疆藝術學院1996年創辦新疆城市雕塑創作設計研究中心中國雕塑家學會理事中國當代雕塑研究院副院長中國工藝美術學會雕塑專業委員會委員匈牙利中旬美術家協會副主席新疆雕塑學會副會長北京城市規劃研究會公共環境與雕塑委員會副主任原北京城市雕塑辦公室專家顧問????????????乙巳年2025年4月18日北京文／尚柔圖片/謫仙翻譯／心語總監／一禪百度搜索“天垂象派”“雕塑家李剛”、“李剛立體主義”可以了解更多有關雕塑家李剛作品及藝術評論致謝“百度“支持致謝“抖音”支持部分圖片（視頻）來自“百度”“抖音”支持歡迎您互相交流相互支持誠摯建立一個良好的交流平臺，為能量文化做好自己北京通州區宋莊園領部落C幢4單元102室李剛雕塑藝術工作室AAbc?原創/中國藝術&線上國際感謝閱讀能量文化歡迎支持轉摘.轉發中國能量文化本?平臺無嘗為一線各類優秀藝術家服務可在留言處留言

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天垂象派，李剛·藝禪的藝術哲學與東方美學的當代重構

AAbc原創 / 中國藝術&amp;線上國際

AAbc原創 / 中國藝術&線上國際