<p class="ql-block"><span style="color:rgb(57, 181, 74);">感性形式和生命內容——鄭亞林花鳥畫淺議 </span></p><p class="ql-block"><span style="color:rgb(57, 181, 74);"> 徐恩存</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Perceptual form and life content -- a brief discussion by Xu Encun in Yalin Zheng's flower-and-bird paintings</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">文/徐恩存</span></p><p class="ql-block"><span style="color:rgb(57, 181, 74);">編輯/逄梅</span></p><p class="ql-block"><span style="color:rgb(57, 181, 74);">國畫/翻譯/鄭亞林</span></p><p class="ql-block"><span style="color:rgb(57, 181, 74);">出品/《國畫*品逸》 編輯部</span></p> <p class="ql-block">The article/Xu Encun </p><p class="ql-block">Editor/Pangmei </p><p class="ql-block"><span style="color:rgb(176, 79, 187);">Paintings/Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);"> 鄭亞林是一位有著學院（中國美術學院）學術背景的青年花鳥畫家，他立足于當代的文化語境，以藝術本體研究為前提，其藝術創作緊緊聯系著對藝術本質和藝術規律的認識，并牢牢把握著時代精神氣息于色澤。因此，他的作品充實、飽滿、豐富，而又活力四溢。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);"> Yalin Zheng is a young flower and bird painter with academic background of the college. Based on the contemporary cultural context and the premise of artistic ontology research, his artistic creation is closely related to the understanding of the nature and law of art, and firmly grasping the spirit of The Times and color. Therefore, his works are full, full, rich, and full of vitality.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">以筆墨為特點的中國畫，重在以筆墨去承載文化的意蘊、生命的內容、精神意緒，并在程式化的運用與實踐中，與畫家的感受、感覺和體驗融于一體，以表達畫家眼中所見、心中所想的現實人文關懷和超越性的普遍意義。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese painting characterized by brush and ink is characterized by carrying the meaning of culture, the content of life and the spiritual mood with brush and ink, and integrating with the painter's feeling, feeling and experience in the stylized application and practice, so as to express the universal significance of realistic humanistic care and transcendence in the painter's eyes and heart.</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">鄭亞林的花鳥作品無不取材于他所熟悉的自然界，以及最能觸動他心弦的物象形態與韻致；關鍵之處還在于，畫家堅持“外師造化 、中得心源”“讀萬卷書、行萬里路”。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);"> Yalin Zheng's works of flowers and birds are all based on the nature he is familiar with, as well as the form and charm of objects that can touch his heart strings. The key also lies in the painter's adherence to the principle of "foreign teachers and nature, in the source of the heart", "read ten thousand books, travel ten thousand miles".</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">在大自然與現實世界中擷取靈感和素材，在千姿百態的原生態生物中提煉、升華感性的意象生動形式，并賦予筆下意象以聲明內容和活力。數年的辛勤耕耘，亞林已形成自己的個性化表現方法和獨特的藝術風格。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">It extracts inspiration and materials from nature and the real world, extracts and sublimates the vivid forms of perceptual images from various original ecological creatures, and endows the images in the works with declarative content and vitality. After years of hard work, Yalin has developed his own personalized expression method and unique artistic style.</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">作為受過良好高等藝術教育的當代畫家，鄭亞林是在綜合素質的全面提高中，成熟了自己的藝術的。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">As a contemporary painter with good art education, Yalin Zheng has matured his art through the improvement of his comprehensive quality.</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">在“似與不似”、“無法之法”與“熟后生”的探索中，他注重的是由外而內、由表象到本質、由形態到本質的轉化與表達，所以，他的作品，筆墨清潤、意象生動、形神兼備、氣韻彌滿，充滿了郁勃生機和鮮活氣息。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">In the exploration of "likeness and unlikeness", "impossibility method" and "ripe afterbirth", he pays attention to the transformation and expression from outside to inside, from appearance to essence, and from form to essence. Therefore, his works are fresh and vivid in ink, vivid in image, vivid in form and spirit, and full of vigor and vitality.</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);">??<span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">由于鄭亞林關注的是自然本質而非表象，所以在率性的線條書寫、墨色的鋪排和內在節奏的設置中，他極注意——隱與顯、疏與密、濕與干、枯與潤、多與少的對比，互動、襯托的配置與運用，在“虛寫”與“實寫”中營造畫面的氣息與韻致。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Because Yalin Zheng pay attention to the essence of natural, rather than a representation in probabilistic line is written, so inky arrangement and the intrinsic rhythm setup, he very attention, implicit and explicit, thin and dense, wet and dry, dry and smooth, and more with less contrast, foil to interact, configure and apply, in the "virtual" and "real" to create a picture in flavor and charm.</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">譬如，他筆下的鳥雀、乳鴨、雛雞、游魚，以及花卉、枝葉、墨色等，都因此“離影得似”，卻又淋漓活潑，無疑，這是自然、生命、藝術三者結合的結果。且在暢快的用筆中，透出筆飽墨翰和筆精墨妙的精湛、清新與圓融的成熟與美感。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">For example, his birds, ducklings, chicks, fish, flowers, branches and leaves, ink color, and so on, are therefore "out of the shadow of", but also dripping lively, no doubt, this is the result of the combination of nature, life and art. And in the carefree use of the pen, the full pen full ink and fine ink wonderful exquisite, fresh and harmonious maturity and beauty.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">以寫意花鳥畫為專攻的鄭亞林，在長期的藝術實踐中，培養了自己良好的藝術感覺，所以，在創作中，他力避對真實物象的“還原”和“摹仿”，而以“意到筆不到”、“形斷意聯”、“略其形取其神”等理念去把握對象。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);"> Yalin Zheng , who specialized in freehand flower-and-bird painting, has cultivated his own good artistic feeling in his long-term artistic practice. Therefore, in his creation, he tried to avoid the "restoration" and "imitation" of real objects, but grasped the object with the concepts of "meaning can't be written", "shape break meaning association", "taking its form from its god" and so on.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">與此同時，在寫意的點、線、墨、色的空間交織中，在筆墨意趣、韻致的表現與顯示中，使作品在以虛寫實、以神寫形中，構建了筆墨意象的生動的生命形式意味，使簡潔的畫面，產生了“言簡意賅”、“言已盡而意無窮”的藝術效果。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">At the same time, the freehand brushwork of point, line, ink and color space, the pen and ink performance and display of interest and charm, make works in written form with virtual realism, with god, build the ink image vivid life form, make a concise picture, produced a "brief" and "word meaning" and did the best artistic effect.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">與此同時，在寫意的點、線、墨、色的空間交織中，在筆墨意趣、韻致的表現與顯示中，使作品在以虛寫實、以神寫形中，構建了筆墨意象的生動的生命形式意味，使簡潔的畫面，產生了“言簡意賅”、“言已盡而意無窮”的藝術效果。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">At the same time, the freehand brushwork of point, line, ink and color space, the pen and ink performance and display of interest and charm, make works in written form with virtual realism, with god, build the ink image vivid life form, make a concise picture, produced a "brief" and "word meaning" and did the best artistic effect.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">作為藝術家，鄭亞林選擇了繪畫，同時，他又在精神高度上，確立了自己的出發點，因此，他的寫意花鳥畫不獨讓人們耳目一新、賞心悅目，還讓人從中獲得生命精神的啟迪；事實上，他是以筆墨的方式、花鳥的意象，進行著精神主題的闡釋。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">As an artist, yalin Zheng chose painting. At the same time, he also established his own starting point from the spiritual height. Therefore, his freehand flower-and-bird painting not only makes people refreshing and pleasing to the eye, but also inspires people with the spirit of life. In fact, he interpreted the spiritual theme in the form of ink, flowers and birds.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">閱讀鄭亞林的作品，的確能感受到他愛世界、愛萬物生命的情懷。他用表現性手法，感性生動的生命形式，把生命引向“陽光”，引向“祥和”和“靜謐”，創造了詩和夢的精神家園。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Reading yalin Zheng's works, you can really feel his love for the world and life. With expressive techniques and vivid life forms, he guided life to "sunshine", "peace" and "tranquility", and created the spiritual home of poetry and dreams. His works are an expression of life consciousness and state of mind.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">他的作品是一種生命意識和心境的表達，他平靜地選擇了直覺感受與“本真”式的表現，在他眼里，一切歸于天真，一切歸于“陽光”。他以自己特有的創作方式為人們奉獻了真善美。這一點是難能可貴的，也是他所追求的藝術大美的由衷體現。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">His works are an expression of life consciousness and state of mind. He calmly chooses intuitive feeling and "authentic" . In his eyes, everything is attributed to innocence and everything is attributed to "sunshine". He dedicated the truth, the good and the beautiful to people with his own unique way of creation. This is valuable, but also the pursuit of the great artistic beauty of the sincere embodiment.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block">（徐恩存藝術簡介）</p><p class="ql-block"><span style="color:rgb(57, 181, 74);">藝術史論學者，美術批評家，著名畫家。1987年畢業于中國藝術研究院。先后任職于《中國美術報》、《東方藝術》、《美術觀察》等雜志，現任《當代中國美術》主編，清華大學吳冠中藝術研究中心研究員，中國少數民族美術促進會副會長，中國美術家協會會員，****副院長兼學術委員會主任，山東美術家協會顧問，長期從事美術理論研究、美術批評與山水畫創作。著有《賈又福的藝術世界》、《現代水墨藝術研究》、《詩滑土地的跋涉者》、《中國石窟》、《焦慮與突圍---中國現代水墨研究》、《悲涼的熱情----中國民間藝術發生學研究》等學術專著，主編 《當代經典——中國繪畫名家》、《走進經典---當代中國著名畫家文獻》、《耕耘與收獲》 、《21世紀經典文庫》等系列叢書，發表學術論文、批評文章800余萬字。</span></p> <p class="ql-block">(Introduction of Encun Xu)</p><p class="ql-block"><span style="color:rgb(176, 79, 187);">Art historian, art critic, famous painter. He graduated from Chinese academy of arts in 1987. Successively in "Chinese art", "Oriental art", such as magazine art observation, the contemporary Chinese art editor, wu guanzhong art research center of tsinghua university researcher, vice chairman of China council for the promotion of ethnic arts, Chinese artists association, member of Chinese national art academies, vice President and director of academic committee, consultant of shandong artists association, engaged in art theory, art criticism and the landscape painting creation. The author of "Gu Youfu art world", "modern ink painting art research", "poem smooth land the wayfarers", "Chinese grotto", "anxiety and break - study of modern Chinese ink painting, the dismal enthusiasm - China folk art genetic research and other academic monographs, editor in chief of the contemporary classic - Chinese painting masters", "into the classic - archives of contemporary Chinese famous painter, the cultivation and harvest, the classics of the 21st century" and other series of books, academic papers published articles, criticism, more than 800 words.</span></p> <h5><span style="color:rgb(57, 181, 74);">中國畫作者 ：鄭亞林</span></h5><p class="ql-block"><br></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <h5>中國畫作者 ：鄭亞林</h5><p class="ql-block"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Chinese paintings author: Zheng Yalin</span></p> <p class="ql-block"><span style="color:rgb(57, 181, 74);">【鄭亞林 ，畢業于中國美術學院中國畫專業本科，美術學中國畫寫意花鳥方向碩士研究生，文學碩士學位，國家一級美術師，中國教育學會美術教育專業委員會會員，數家刊物、媒體特約美術編輯，長期從事美術學科教學、繪畫理論及作品的研究和創作，有多篇美術教學論文和個人作品專版發表于 《國畫家》《美術觀察》《美術報》《中國美術》《中國藝術》《中國書畫報》《美術界》《江蘇畫刊》《中國書報》《中國藝術教育》、《美術大觀》、《中國美術教育》、《書畫藝術》等全國各大美術報刊、雜志。并相繼在昆明、南寧、貴陽、武昌、上海等地舉辦畫展，個人書畫創作業績被多家電視臺、出版媒體、及各大知名網站報導。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Yalin Zheng, graduated from China academy of fine arts professional undergraduate course of Chinese painting, fine arts of Chinese painting freehand brushwork in traditional Chinese painting of flowers and direction graduate student, master's degree in literature, at the national level artists, art education of China education society of professional committee member, China couplet association, member of Chinese artists association of shandong branch, the Hong Kong academy senior painter, several publications, media arts editor staff, be engaged in works of art, painting theory and the teaching research and creation, How page paper art teaching and personal works published in the journal of traditional Chinese painters "art watch" art, "" Chinese art" "Chinese art" Chinese painting and calligraphy newspaper "circle" jiangsu pictorial "" books and newspapers in China" "China art education", "the grand view of fine arts", "China fine arts education", "painting and calligraphy art" the major national fine arts such as newspapers, magazines, and successively in kunming, nanning, guiyang, wuchang, Shanghai exhibition, personal performance of painting and calligraphy creation by various television, print media, and each big famous website reported.</span></p> <p class="ql-block"><span style="color:rgb(22, 126, 251);">【特此聲明】:鏈接中的所有詩文、繪畫均為鄭亞林先生原創作品，未經允許不得侵權。如有發現剽竊、抄錄（未標註出處和作者）并用作它處，我們將保留追究侵權者法律責任的權利。</span></p> <p class="ql-block"><span style="color:rgb(176, 79, 187);">Hereby declare] : All poems and paintings in the link are original works of Mr. Zheng , and shall not be infringed without permission. We reserve the right to pursue the legal liability of the infringers if plagiarism, tranion (without attribution or authorship) is found and used elsewhere.</span></p>
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喜德县|
平阴县|
昌都县|
望奎县|
泾川县|
上犹县|
塔城市|